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One of the questions I'm asked most often is this:
"Why would someone who spent years writing biblical nonfiction suddenly begin writing fantasy?" The answer is surprisingly simple. I never really left. For years, I devoted my writing to exploring Scripture, history, and the languages behind the biblical text. I wanted readers to look beyond tradition and wrestle with what the Bible actually says. Research became second nature. I loved tracing ancient words, comparing manuscripts, and asking difficult questions. But somewhere along the way, I realized something. Facts inform the mind. Stories reach the heart. Jesus Himself understood this. He could have presented theological lectures, yet so often He chose parables. A farmer scattering seed. A lost son. A traveler left beaten beside the road. Those stories linger because they invite us to experience truth rather than merely understand it. That realization changed how I viewed writing. I began asking myself, What if I could explore the same biblical themes through the lens of a story? Not a sermon disguised as a novel. Not allegory. A genuine fantasy that treated Scripture with respect while imagining the unseen world hinted at throughout the Bible. That question became Blood of Starlight, another novel after the Realms of the Fallen series. The series, Realms of the Fallen and Blood of Starlight, draws inspiration from passages that fascinate me: the rebellion of Lucifer and the Watchers, the mysterious references in Genesis, the Book of Enoch, spiritual warfare, redemption, and humanity's place within a conflict far older than civilization itself. Those elements form the foundation, but imagination builds the house. Fantasy gives me room to ask "What if?" without claiming, "This is how it happened."
Research still fills my laptop with ancient texts. And I continue to examine biblical languages and historical sources because I believe good fantasy should feel grounded, even when it ventures into impossible places. The difference is that now, instead of presenting conclusions in chapters of nonfiction, I invite readers to walk beside characters who must wrestle with those questions themselves. In many ways, fantasy allows me to explore truth from another angle. A reader may close a nonfiction book having learned something. A reader may close a novel having experienced something. If Realms of the Fallen encourages readers to think more deeply about redemption, sacrifice, free will, and not only the hope woven throughout Scripture, then it has accomplished exactly what I hoped it would. So no, I didn't leave biblical writing behind. I simply found another way to tell the story. And in many respects, I think it's the story I was always meant to write.
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There was a time when stories were not confined to the pages of books. They were spoken around fires, shared across generations, and woven into the identity of entire peoples. Before there were novels, there were storytellers. Long before there were publishing houses, there were voices asking the timeless questions:
Who are we? Why are we here? What happens when good and evil collide? "The greatest story ever told" is found in Scripture. And, yes, they even made a movie with that title. It is the story of creation, rebellion, redemption, and restoration. Every great tale written since has, in one way or another, echoed those themes because they speak to something deep within the human heart. Fantasy, at its best, is not an escape from reality. It is a different window through which to examine ones reality. When we read about courage, sacrifice, betrayal, forgiveness, or hope in another world, we often recognize those same struggles within our own. A kingdom at war may remind us of the battles we fight every day. A hero wrestling with destiny may reflect our own search for purpose. Even dragons, angels, or forgotten realms can illuminate truths that ordinary settings sometimes cannot. That is one of the reasons I write biblical fantasy. The world of Blood of Starlight is filled with ancient mysteries, fallen Watchers, hidden kingdoms, and supernatural conflict. Yet beneath every page lies a question that is profoundly human: Can those who have fallen ever find redemption? It is a question that reaches beyond fantasy. Every one of us has known failure. Every one of us has wondered whether our past defines our future. Scripture answers with remarkable consistency that redemption is possible, not because we earn it, but because it is offered by a God whose mercy is greater than our brokenness. My hope is that readers come for the adventure but leave thinking about something more enduring. If a chapter causes someone to consider forgiveness, grace, sacrifice, or the nature of true freedom, then the story has accomplished far more than simple entertainment. Stories have always shaped civilizations because they shape people. Perhaps that is why Yeshua so often taught through parables. Stories bypass our defenses. They invite us to wrestle with truth rather than merely observe it. As an author, that is the kind of story I aspire to write: one that entertains, stirs the imagination, and quietly points toward the greatest story ever told. Thank you for walking this journey with me. Whether you've been reading my work for years or have only recently discovered it, I'm grateful you've chosen to step into these worlds with me. May every story remind us that even in the darkest places, the smallest light can reveal the way home.  ✨ 10 Most Promising New Fantasy Books to Read Right Now (2026 Edition) Fantasy is having a moment. Not the polite, distant kind filled with castles and maps alone, but something wilder. Darker. Stranger. Stories shaped by grief, wonder, rebellion, and redemption. Dragons return with teeth. Angels return with questions. Magic feels costly again. If you’re looking for your next immersive escape, here are ten of the most promising new fantasy reads. ⸻ 1. The Knight and the Moth by Rachel Gillig Gothic fantasy continues its reign, and Gillig’s newest tale promises shadowed cathedrals, cursed knights, and a slow-burn romance threaded with danger. Expect lush prose, eerie atmosphere, and a story that lingers like incense smoke. Why read it: For readers who loved haunting romances with teeth and consequence. ⸻ 2. The Ragpicker King by Cassandra Clare Clare returns to epic fantasy with political intrigue, dangerous loyalties, and richly layered worldbuilding. It’s grand-scale storytelling with personal stakes at its core. Why read it: If you enjoy court drama wrapped in magic and moral tension. ⸻ 3. Empire of the Damned by Jay Kristoff Grimdark at its most cinematic. Kristoff expands his brutal vampire saga with poetic violence, layered mythology, and a relentless pace. Why read it: For readers who want myth soaked in blood and prophecy. ⸻ 4. The Familiar by Leigh Bardugo Set in the Spanish Golden Age, Bardugo’s historical fantasy blends survival, magic, and moral compromise. It’s quieter than her Grishaverse work but deeply immersive. Why read it: If you love intimate stakes within sweeping worlds. ⸻ 5. The Book That Broke the World by Mark Lawrence Lawrence continues his cerebral, puzzle-like fantasy storytelling with layered timelines and emotional weight beneath the spectacle. Why read it: For readers who want magic mixed with philosophical intrigue. ⸻ 6. The Tainted Cup by Robert Jackson Bennett A refreshing blend of fantasy and mystery. Think Sherlock Holmes inside a vividly strange magical empire. Why read it: For sharp plotting, unusual worldbuilding, and clever twists. ⸻ 7. The Warm Hands of Ghosts by Katherine Arden Atmospheric and haunting, Arden blends historical realism with ghostly myth in a story about loss and endurance. Why read it: If you crave emotional depth with supernatural undertones. ⸻ 8. Seeds of Sin & Salvation by Brandy Marks A bold, mythic fantasy exploring angels, demons, temptation, and redemption across layered realms. Marks crafts a cinematic narrative rich with symbolic imagery, cosmic conflict, and deeply human longing. The series leans into spiritual warfare while remaining intimate and character-driven. Why read it: If you love sweeping celestial fantasy with emotional intensity and philosophical weight. ⸻ 9. A Sorceress Comes to Call by T. Kingfisher Dark fairy-tale energy with Kingfisher’s signature wit. Strange, sharp, and deeply satisfying. Why read it: For unsettling magic balanced with humor and heart. ⸻ 10. The Daughters’ War by Christopher Buehlman A fierce, character-driven fantasy that blends emotional storytelling with brutal realism and mythic echoes. Why read it: For raw, human storytelling inside epic conflict. ⸻ 🌌 Final Thoughts Fantasy is expanding, stretching beyond familiar borders. Today’s most exciting stories don’t just ask what magic can do. They ask what it costs. Whether you crave haunted kingdoms, cosmic battles, or stories that wrestle with faith and identity, there’s never been a better time to wander into the strange. And if you’re already walking the darker roads of fantasy, you might just find yourself right at home among these O Lord, I wake before the light,
my thoughts already in the night. Sleep has fled, my heart’s in pain, yet You are here to hear my refrain. Be near to me, Adonai, I pray, the weight is great, my strength gives way. Be near to me, stay close and sure, and I cannot for long endure. I knelt and called Your holy name, You answered me, though I felt shame. Breath returned where death stood fast, yet sorrow clings and will not pass. My home was crossed, my peace undone, my safety broken while I was gone. I must stand and speak no sound, when all I want is quiet ground. My son lives on, yet not made whole, his mind is but a wandering soul. I love him, Lord, and still I groan, mercy costs more than I’ve known. I speak the truth I fear to say, I wanted all the pain to fade away. Search my heart, You know it well, You hear the prayers I dare not tell. Give light enough for just one step, as I walk the road I cannot accept. Hold what I drop, remain, don’t flee, be more than faith demands of me. Be near to me, O Adonai, I pray, the weight is great, my strength gives way. Be near to me, stay close and strong, I cannot endure this for long. My Adventure with a Professional Editor
* Every writer eventually reaches that point—you stare at your sales dashboard, squint suspiciously, and whisper: “Maybe the problem isn’t the readers. Maybe… it’s me.” And so, fueled by equal parts courage, diluted wine, and self-doubt, I recently bit the bullet (or “bought the bullet,” as my brain apparently insists on phrasing it) and hired a professional editor for Book One of my Celestial Guardians series. The novel formerly known as The Fallen, currently known as Prince of Darkness, and soon to be … who knows. I wasn’t unhappy with the story. I actually like the story. But writers have a special talent for wondering: “What if the writing I love is actually terrible?” “What if my characters are cardboard?” “What if my plot has more holes than Swiss cheese?” I assumed my lack of sales must mean the writing was flawed. How’s that for self-esteem? So, like a responsible adult (ha), I sent my precious book-baby off to an editor—fully expecting to be emotionally eviscerated for the low price of a Fiverr invoice. The Deadline Arrives… and So Does RealityToday was the big day: the promised delivery date. I eagerly downloaded the edited manuscript, opened the file, and-- Cue the sound of a balloon deflating slowly and sadly in the corner. Where I expected paragraphs of insightful criticism… Where I hoped for notes on character development, structure, pacing, plot clarity… Where I braced myself for maybe even a little crying (I had tissues ready!)… I instead received a glowing book report. Yes, a book report. The editor summarized the novel—accurately, I’ll give them that—describing Miriam, Lucifer, the rebellion, the tension, the romance, the celestial drama… It was like reading my back-cover description rewritten by someone who was very enthusiastic and had drunk two cups of very strong coffee. Or maybe a few glasses of wine! And then came the comments. The Review That Was Not the Review I ExpectedHere is the best part—the editor’s actual words, which I have now read three times to make sure I didn’t hallucinate them: “You’re an amazing writer… Your flow was very good… Your tone was perfect… I commend your writing prowess… Great job… Excellent work…” And somewhere in there: “I corrected some punctuation and redundancies.” That’s it. No critique. No constructive feedback. No plot issues. No “maybe tone down Lucifer’s seductive monologues” or “your battle scenes need tightening” or “Miriam seems confused because you wrote this scene at 2 a.m. while eating chocolate and drinking red wine.” Nothing. Just praise and a few commas moved around. I sat there blinking at my screen like a malfunctioning angelic automaton. Where Was My Painful, Character-Building Critique? I wanted:
(If this is Heaven’s way of testing my humility, I would like a refund.) The Emotional Roller Coaster That EnsuedI cycled through all five stages of editorial grief:
!. Know your editing types. Seriously.There are three main kinds:
2. Low sales don’t always equal bad writing.This one… I’m still processing. But if an editor said my writing is good, and I’ve been writing since 2009, maybe the problem is:
I’m Still Glad I Did It. Even though the edit wasn’t what I expected, it did give me:
For years now, I’ve been writing in the spaces between fantasy and faith — not quite Christian fiction, not quite secular fantasy, but something deeper and more mythic. Something that reflects the mystery of spiritual warfare, the vulnerability of the human heart, and the staggering question many of us wrestle with:
“Is anyone beyond redemption?” This week, I finally put the finishing touches on a story cycle that has taken decades of dreaming, rewriting, expanding, and refining. Not a series, not seven books, but one single epic — a mythic saga called Books of the Fallen. And at the center of it is a truth too powerful to ignore: Even the fallen — no matter how far they’ve fallen — can still rise again. 🌙 Where the Story Begins The epic opens with heaven’s brightest star: Lucifer. Not as a caricature, not as a flat villain, but as a being whose fall fractures creation. His redemption — scandalous, shocking, unthinkable — becomes the first spark of a truth that unfolds across the entire epic: If he can be redeemed, then anyone can. That idea becomes the heartbeat of the whole mythos. 🔥 Where the Story Travels Across the arc, we walk through:
Some return to the light. Some cling to darkness. Some run from both. Some rise when no one expects it. And some — heartbreakingly — refuse the hand extended to them. It’s a world of fire, glory, magic, betrayal, longing, and ancient wounds… but also one where mercy keeps breaking through. 🌿 Where the Story Ends The final arc belongs to Isadora — a girl literally born in hell who escapes, survives, and believes she will always be unworthy of love. Her story becomes the last proof of the epic’s message: Redemption reaches even the darkest places. She faces one final trial — a nightmare so vivid it almost breaks her — before stepping into the life she was meant for. A redeemed demon loves her. An ancient evil pursues her. And at the end, heaven itself stands still to witness her rise. It is holy. It is triumphant. And it is hard-won. Not easy redemption. Real redemption. 💛 Why I Wrote This Story Because in my counseling work and in my own life, I’ve seen the extremes:
And I’ve lived long enough to know: Human beings are far more complex, wounded, beautiful, and redeemable than we give them credit for. This epic is my way of exploring that truth on a cosmic scale. Not preaching. Not moralizing. Just storytelling — honest, raw, mythic storytelling. ⭐ Who This Epic Is For This book is for you if you love:
It’s fantasy that welcomes everyone — believers and unbelievers — because the theme of redemption belongs to all of us. Looking Ahead Over the next few weeks, I’ll share:
If you’ve ever felt too broken, too far gone, or too tangled in your own past to rise… This story is for you. Because in the end -- no one is ever too far gone. If you’d like, I can create a:
Just tell me! Once an RN, Always a Seeker
Once upon a time, I was an RN, then a licensed mental-health and biblical counselor. Reading was part of my daily rhythm—three or more books a week. I still love to read, though I began to notice how many stories felt the same. Somewhere along the way, I started craving something more—something daring, layered with truth and wonder. A Dangerous “What If…” When I retired, I began writing nonfiction. But eventually, a single question changed everything: What if Lucifer could be redeemed? My Christian friends were horrified. But writers know that great stories often begin with those two words: What if…? So I followed the question. Later, at a Christian writers’ conference in Phoenix, I discovered just how dangerous that question could be. My books were removed from the shelves and labeled “unacceptable.” Apparently, what I’d written wasn’t “Christian”—at least not by their definition. Author Story: Why I Write the Stories I Do I grew up in a divided home—half faith, half faithless. Sundays meant church, confession, and the illusion that sins were washed away. But the moment the doors closed behind us, the trauma returned. Abuse wrapped in hymns is still abuse. For years, I learned to smile through the pain, no. I was angry but I had to pretend - well I chose nothingness because holiness could not erase what happened behind closed doors. By my teens, upbringing took over: rebellion, survival, and a world that made no room for innocence. People often ask why I write fallen angels, rebels, and complicated redemption arcs. The answer is simple: I was one. And to some degree, I still am... I refused to bow to a God who seemed to remain silent through my suffering. And while I wasn’t cast out of heaven, I was cast out of my home. So I went into the world alone, choosing my alone path, stumbling from heartbreak to heartbreak, searching for love with a wounded heart and using all the wrong methods to find it. Then I met my own “Lucifer.” Not the celestial one, but a man who could have played him convincingly—a mix of charm, danger, and destruction. He was broken, and so was I. Those who read my books often sense a strange tenderness toward the rebellious, toward the dark and the misunderstood. And yes, anger too. All that comes from experience. Because the truth is, my Lucifer changed—some. Enough to make me hope. Not enough to truly make a real difference. But in flashes, I saw something in him—regret, longing, even a kind of belief. And I saw something in myself: the part of me still reaching for redemption, even when I didn’t know I believed in it. Our story was never a happy ending, not even an almost, but it held moments of light. And then he left this world, and only God knows where he went: heaven above or hell below. It’s there if you look. This is the soil my stories grow from. I write about angels because I know what it feels like to long for grace. I write about demons because I’ve known the shadows—both in others and in myself. I write about redemption because I have chased it, resisted it, doubted it, and yearned for it. And I write love stories because, through everything, I continue to believe love is powerful enough to remake even the darkest heart. Perhaps even mine. My novels aren’t crafted from theology. They’re crafted from experience—from a life marked by trauma, rebellion, longing, survival, and the stubborn hope that maybe, just maybe, brokenness isn’t the end of the story. I write because I have lived the questions my characters ask: What if grace is real? What if healing is possible? What if love transforms even the fallen? These questions shaped my life. Now they shape my books. This is who I am. This is why I write. What I believe ~ #faith-based fantasy author, #Christian fantasy fiction, #redemption stories, #angels and demons novels, #Lucifer redemption story, #heaven and hell fiction, #inspirational fantasy books, #spiritual journey novels, #redemptive fantasy author  Stories evolve — sometimes in ways their creators never expect.
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